Els van Steenberghe wrote a review about L'Eléphant Perdu for Knack. The original article can be found here. A tea thriller What appears to be a cozy tea party, in Oortocht's 'L'éléphant perdu' , turns into a crazy horror performance with lonely, surreal glow. Photo: Benoit Linder Have you ever considered that under the table where you enjoy a nice dinner, a corpse can be hidden? The brand new Ghent theater collective Oortocht does. This pleasantly disturbed gang has an eye f

Interview about L'Elephant Perdu by Oortocht

Surrounding the premiere of Ifigeneia / Windstil, Het Belang van Limburg wrote the article below.

Bart Magnus wrote a review about Salomé for UrbanMag. Fatal glances into a beautiful abyss The moon fascinates the man. She always has. The brighter, the more ecstatic. The more shadowy, the more mysterious. She determines the tides and feeds the superstitions. Her cycle coincides with that of the woman. And that's not a coincidence. King Herod compares the moon to a mad woman. His soldiers associate her with death. And they should know. More than once at night they stood gua

Bart Magnus wrote a review about Dood in Venetië for UrbanMag. About death and love Cie Hatsjie is a promising young theater company from Hasselt. Both actors and director are in their early twenties and throw their hearts and souls into the theater, just because they like to do it. Because they want to give something to the public and also get something out of it for themselves. So amateurs, even though many would disagree after Dood in Venetië - based on the book and film b